Chiseling Pixels

Wizara proudly presents a curated exhibition for this year’s Art Dubai, presenting the work of radical Arab and Asian artists examining the digital turn from social, spiritual, economical and political perspectives. Presenting video-performance, digital art, generative animation, digital stills and AR by Ahmed El Shaer, Omar Houssien, Harshini J. Karunaratne and Mariam Sadik

New Materialities
Avatars
Disruptive Economies
Virtual Bodies
Ephemeral Homelands

AI HEAVEN

An iconic work by one of the Middle East’s leading digital artists, Ahmed El Shaer, who was most recently representing Egypt at its national pavillion at the Venice Biennale. In this series of works comprising several images and animated short loops, Ahmed El Shaer collaborates with Artificial Intelligence to explore questions on the afterlife, and how a machine imagines the metaphysical and the transcendental. All videos are produced through generative technologies, the final artistic works are fully created by machine intelligence, without the artist’s interference. A radical experiment in what Islamic Art could look like in the 21st century, away from stereotypical expectations and orientalist images. ‘AI Heaven’ is alluring, and terrifying. The images play with our perception, unsettling our expectation of form and meaning, as we stare into these works, created by a nonhuman agent.

Ahmed El Shaer

A pioneer of digital art in North Africa, Ahmed El Shaer is a multi-disciplinary artist whose practice spans the mediums of installation, photography, sound, and the moving image with a particular interest in new technologies. His videos combine Machinima, stock footage, 3D animation and experimental soundscapes, and have been shown at international venues including the Venice Biennale, Bamako Biennale, Cairotronica, the Guggenheim Museum, the Museum of the Moving Image, and Casa Arabe in Madrid. A Fulbright alumni, with research work on game design and theory, Ahmed El Shaer is a PhD Candidate at Abertay University.